小公主長篇英文讀后感

　　讀完某一作品后，相信大家都有很多值得分享的東西，需要回過頭來寫一寫讀后感了。是不是無從下筆、沒有頭緒？下面是小編整理的小公主長篇英文讀后感，歡迎閱讀，希望大家能夠喜歡。

　　Every Girl Can Be A Princess

　　A Little Princess is a touching novel written by Frances Hodgson Burnett—a famous novelist and dramatist. It obviously contains lots of fancied plots, but the parts it talks about creating miracles, can really reach the bottom of my heart. The book can bring me into a world that is more than reality while reading it. The extraordinary story makes me ponder a lot and gives me a deep impression that every girl can be a princess.

　　In my opinion, it is impossible for every rich girl to act like a well-behaved princess, but Sara, the heroine of the novel, did it! She was an imaginative little girl who had such intelligent small face and such perfect manners. Sara was a very nice girl who had a gentle, appreciative ways of saying, such as “If you please” “Thank you” which was very charming. So, not only her teachers and classmates liked her, but also her servants liked her. There was a time when Sara became a poor and pitiful servant insulted by the snobbish headmaster of the school. In spite of this, she had never complained to anyone about the horrible suffering she had endured. Sara was confident, brave, optimistic and kind-hearted just like before and she had never given up her enthusiasm of life. No matter when, Sara acted like a princess, and on account of this, she had accomplished a great deal of miracles over and over again.

　　After reading this outstanding book, I was shocked by Sara, a little girl who suffered such unimaginable pain and tortures, but still had an opposite attitude towards life. What impresses me most is that Sara put on her act of being a princess when she wore thin bottom shoes, wading in the street of London. From my point of view, her spirit of being so strong-minded when she was in hard times is worth admiring.

　　Truly, every girl is a princess coming into common life. The “princess” I mean is not a princess living in the palace and being regarded as the apple of everyone’s eye. As the matter of fact, the “princess” is at heart. I am in the belief that every ordinary girl in the world can be a princess. The way for a girl to be a princess is quite simple. Just suppose! You can suppose yourself to be a princess, and go about your business confidently without caring how the others would treat you. If you want to have more resemblance to a princess, be more kind and try your best to help the people in need. The most important thing you are supposed to do is that to feel like a real princess at any occasion, particularly when you are involved with enormous melancholy. Do not feel the conditions you faced are extremely wretched and attempt to get rid of the feeling of hopelessness and uneasiness. The less you look like a princess, the more you need to feel like a princess at heart.

　　Every girl can be a princess if she can do all I mentioned, no matter she is rich, beautiful or not. To speak truthfully, I cannot do as well as Sara. However, I will exert myself on being a princess mentally.

　　Do not feel depressed any more, to be a well-thought-of princess like Sara. You can do it, because Every Girl Can Be A princess.

　　Sense and Sensibility was the first Jane Austen published. Though she initially called it Elinor and Marianne, Austen jettisoned both the title and the epistolary mode in which it was originally written, but kept the essential theme: the necessity of finding a workable middle ground between passion and reason. The story revolves around the Dashwood sisters, Elinor and Marianne. Whereas the former is a sensible, rational creature, her younger sister is wildly romantic--a characteristic that offers Austen plenty of scope for both satire and compassion. Commenting on Edward Ferrars, a potential suitor for Elinor's hand, Marianne admits that while she "loves him tenderly," she finds him disappointing as a possible lover for her sister.

　　Soon however, Marianne meets a man who measures up to her ideal: Mr. Willoughby, a new neighbor. So swept away by passion is Marianne that her behavior begins to border on the scandalous. Then Willoughby abandons her; meanwhile, Elinor's growing affection for Edward suffers a check when he admits he is secretly engaged to a childhood sweetheart. How each of the sisters reacts to their romantic misfortunes, and the lessons they draw before coming finally to the requisite happy ending forms the heart of the novel. Though Marianne's disregard for social conventions and willingness to consider the world well-lost for love may appeal to modern readers, it is Elinor whom Austen herself most evidently admired; a truly happy marriage, she shows us, exists only where sense and sensibility meet and mix in proper measure.

　　【參考譯文】

　　每個(gè)女孩都可以成為公主

　　小公主是一個(gè)感人的小說，寫弗朗西絲·霍奇森·伯內(nèi)特—著名小說家和戲劇家。它顯然包含了很多幻想的情節(jié)，但它談到創(chuàng)造奇跡的部分，可以真正達(dá)到我的心底。這本書能把我?guī)У揭粋€(gè)比現(xiàn)實(shí)更為現(xiàn)實(shí)的世界。這個(gè)非凡的故事讓我深思了很多，給我留下了深刻的印象：每個(gè)女孩都可以成為公主。

　　在我看來，每個(gè)富家女都不可能表現(xiàn)得像個(gè)乖巧的公主，但小說中的女主人公薩拉卻做到了!她是一個(gè)富有想象力的小女孩，有著如此聰明的小臉和如此完美的舉止。薩拉是一個(gè)很好的女孩，有一個(gè)溫柔，贊賞的方式說，如“如果你請”，謝謝你，這是非常迷人。因此，不僅她的老師和同學(xué)喜歡她，而且她的仆人喜歡她。有一段時(shí)間，薩拉變成了一個(gè)窮而可憐的仆人，被學(xué)校勢利的校長侮辱了。盡管如此，她從未向任何人抱怨過她所忍受的可怕的痛苦。薩拉很自信，勇敢，樂觀，善良，就像以前一樣，她從來沒有放棄過她的生活熱情。無論什么時(shí)候，薩拉都表現(xiàn)得像個(gè)公主，基于這一點(diǎn)，她一次又一次地完成了許多奇跡。

　　看完這本優(yōu)秀的書，我感到震驚的是薩拉，一個(gè)小女孩誰遭受難以想象的痛苦和折磨，但仍然有一個(gè)相反的生活態(tài)度。最讓我印象深刻的是，薩拉穿上薄底鞋，在倫敦大街上涉水時(shí)，穿上了公主的動作。在我看來，她在困難時(shí)期如此堅(jiān)強(qiáng)的精神值得欽佩。

　　真的，每一個(gè)女孩都是一個(gè)普通的.公主。“公主”的意思不是住在宮殿里的公主，被認(rèn)為是每個(gè)人眼中的蘋果。事實(shí)上，“公主”在心里。我相信世界上每一個(gè)平凡的女孩都可以成為公主。女孩子做公主的方法很簡單。只是假設(shè)!你可以假設(shè)自己是一位公主，自信地從事自己的事業(yè)，而不在乎別人如何對待你。如果你想和公主有更多的相似之處，就要更加善良，盡你所能去幫助那些需要幫助的人。你應(yīng)該做的最重要的事情就是在任何場合都覺得自己是個(gè)真正的公主，尤其是當(dāng)你陷入巨大的憂郁中時(shí)。不要覺得你所面對的條件是極其悲慘的，試圖擺脫絕望和不安的感覺。你越不像一個(gè)公主，你就越需要像一個(gè)公主。

　　每個(gè)女孩都可以做公主，如果她能做到我所說的一切，無論她富有，美麗或不。老實(shí)說，我不能和薩拉一樣好。然而，我會努力成為一個(gè)公主。

　　不要再感到沮喪了，好好想想薩拉這樣的公主。你可以做到，因?yàn)槊總€(gè)女孩都可以成為公主。

　　理智與情感是簡奧斯丁出版的第一部。雖然她最初稱之為埃莉諾和瑪麗安、Austen jettisoned的標(biāo)題和書信方式最初寫，但保持了基本主題：激情和理性之間尋找一個(gè)可行的中間地帶的必要性。故事圍繞達(dá)什伍德姐妹，Elinor和瑪麗安。而前者是一個(gè)明智的，理性的生物，她的妹妹是瘋狂浪漫-一個(gè)特點(diǎn)，提供了奧斯丁的范圍足夠的諷刺和同情。談到Edward Ferrars，Elinor的手一個(gè)潛在的追求者，瑪麗安承認(rèn)，她“溫柔地愛他，”她發(fā)現(xiàn)他很失望，因?yàn)樗憬愕囊粋€(gè)可能的情人。

　　然而不久，瑪麗安遇見了一個(gè)男人的理想標(biāo)準(zhǔn)：Willoughby先生，一個(gè)新的鄰居。所以被激情沖走的是瑪麗安，她的行為開始與丑聞有關(guān)。然后，Willoughby放棄了她;同時(shí)，埃莉諾日益增長的對愛德華的感情經(jīng)受了考驗(yàn)，他承認(rèn)他秘密與童年的心上人。姐妹倆是如何應(yīng)對他們的不幸的，他們吸取的教訓(xùn)終于來到了必要的幸福結(jié)局，形成了小說的核心。雖然瑪麗安無視社會習(xí)俗和愿意考慮失去愛情世界可能吸引到現(xiàn)代的讀者，這是奧斯丁本人最埃莉諾誰顯然對;一個(gè)真正幸福的婚姻，她告訴我們，只有理性與感性滿足的地方，以適當(dāng)?shù)姆绞交旌稀?/p>